Lightcycle Prototype

"1984 - Two years after the mysterious disappearance of Kevin Flynn, shareholders of Encom International commenced refitting its now dated Encom Tower, during the refit a significant amount of work was required to be carried out on the main server banks housed under the tower itself.
No one could have anticipated what was found, behind locked doors, labelled simply the LC/1P, Flynn and Ducati had clearly been reshaping the front of motorcycle technology.
Representatives at Ducati remain tight lipped over the discovery, could this be a missing part of the puzzle over Flynn's disappearance?"

 

 

Navigator Finals

Will be going away next week with new awesome work commitments so decided to tie this guy up before I go, then move onto some architectural pieces over the next couple of months ( been talking about it for ages to people and they seem very intrigued by what I have planned, so more Concrete x Tadao Ando x Tron spaces to be made. ), done some more different takes on grades/scenes etc.
Many thanks again to Ben Mauro for the inspiration on the inside working of his head, which in itself has inspired more ideas for the future, and calls also go out to all the peeps who created such an inspiring world full of stunning artwork for Halo 4, one of the USNC helmet designs inspired me to do this!
Oh ye, in other news, I now work for myself, Crytek were kind enough to approach me and ask me to work on a fantastic project they are putting together and give me the opportunity to start to establish myself on my own two feet, scary but I'm hoping it will lead to other things and life adventures in the future, I can't wait to get going with a lot of my close friends and colleagues again ( all be it from home ).Hope you like the Finals, 1080p links below each image.

High Res here

 High Res here

 High Res here

 ECU/Brain workings:

 High Res here

 High Res here

 High Res here

Thanks

Eye / Vision Prototype

TT Navsystems are the choice of vision and tracking hardware when configuring Navigators.
Lightweight, easy to configure and highly advance sensors can send thousands of images per second to the pilots ECU, unlocking what is known now as 'FlyVis' ( inherited from how flies actually see. ), essentially being able to adept to constant velocity changes, anticipating counter measures required for craft manoeuvrability especially in tight situations.
Cockpits are no longer a wash of dials and output displays, once the early eye prototypes were accepted weight was cut from everywhere legally possible in each craft, complimenting their already sleek / no fat designs.

Navigators, cont....

This week with the little time I've had, I've mainly focused on getting the facial parts of the head in place with shaders and so on.
New eyeball models were put together with slight changes to proportions of the iris etc to a level I felt looks slightly better than earlier versions I'd done. I've gone through in excess of 5 lighting rig set-ups to check shaders work correctly in both light and dark situations, they were fairly close but didn't pop as much in daylight, so a happy medium has been found, so they can also work well in less contrasty environments as seen here.
Put this render and post together today, was kinda happy with the look so thought I'd share. Some subtle overlays, dust on lens etc....
More ( hopefully finished bust ) next week...

Navigators

Something I'm working up for the Navigators ( pilots ) of the craft.

Navigators although reminiscent of humans are not. The sport in its early stages went through seasons of purely functional robotic pilots but it was found that audiences couldn't relate to this setup, the governing bodies of the sport made a descicion to insert synthetic humans as navigators for onlookers to relate to in an easier fashion. In doing so the rules changed, craft were no longer rigged with thousands of sensors and piloting software to tune, instead this is now all installed into the navigators ( the link between craft and engineers ).
Rules also stipulate that each navigator must have dual 'Black Boxes' installed, aiding in investigation of several catastrophic incidents.
As technology was ripped away from the craft themselves, hardware and software in navigators surpassed everyones expectations, once again the 'pilots' were the stars, although not human, some becoming household names and flagships for sponsors and advertsing.

All work in progress....

First Racer complete ( almost )...

So the first craft is basically modelled now, rear thrusters / bottom diffuser, cockpit, seat etc are all in place, stripped of shaders ready for a fresh start ( rendered out out orthographic views in passes for mock ups of liveries in PS ) , also started UVing in some subtle split lines along the main 'run' of the ship, I've been thinking quite a bit about the animation and adding little things to the craft all suggested in this image. I generally like things to actually function and make sense as well as look OK. Also in my spare time I've been playing with some fluid and smoke dynamics for reasons I'll update on later ( once I'm happy with the result ). ( Right click - view image for text to be readable, sorry ).

Cockpit in place:

Each team will also naturally have fans / followers, mocked up a racing season handbook cover, little natural touches as books and everyday things I'll try and cram in, without it all going too 'out there' so to speak, grounding things you may say.

Thanks for stopping by.

The beginnings of something new.

I am planning on working on something that will span probably up to 18-24 months, I'm not going to go into what it is right now and will involve me learning a shed load of new stuff (WIN!!) to get what I want done, I've always got ideas, and this time want to carry it off into a large personal project, It will involve vehicles, of all sorts, large and small environments, simple, clever animations ( I'm no good at animating ) and generally will make the most of what I feel I can do well ( play to your strengths! ), oh and lots of After Effects work, here's a craft I am working up at present, I wanted to some some rough renders and post to see how much detail I should go into in the fast moving shots. Also couldn't resist playing around with some various materials for a little teaser to the final ship. All placeholder materials for tests, during the coming months I'll hopefully have designed various grades for differing moods for the final idea. I'll keep you posted. Inspired by a side sketch in Scott Robertson's 'Lift Off' book.

The name Aquila Audax comes from a black feathered bird of prey by the way, a little insight into where this may go.

Challenger

I generally haven't modelled a car for a few years now and felt it was about time, I wanted a classic and decided that this would throw some new challenges my way in wanting to add some modern day twists to the car whilst trying not to mess with the originals great lines. Mid way into making this I had already decided on  various shots that involved low down snaps being taken, resulting in a lot of stuff being put together under the car for these to hold up, always working from reference of the actual model, subtle styling changes here and there.

Viewport / Wires

Tadao Ando Church of Light

Again attacking a quick turn around project here, and wanted to get to grips with solid interior lighting and GI. Tadao's architectural wok although not every ones cup of tea I believe will stand the test of time for years to come. Simple, Bold and Powerful! Learnt a lot doing this, making better use of using render elements out of VRAY and comping these passes together tweaking light and reflection where needed, using VRAY comp text for walls and playing with the VRAY dirt shader or different effects on AO passes.

Here is a little image I put together to display the various passes, Giving an look into my ( by no means the 100 percent correct  ) way of working.

M451 Firestorm E

I like guns, who wouldn't right? I also am a big Mass Effect fan, I stumbled across a concept for a flamethrower type piece online via Brian Sum . I wanted to put my own take on it as an electrical gun of sorts and to focus on small pieces of work that I could turn around quicker rather than getting sucked into things that take alot of time to get to standards required.

This was an early shot of what I had in mind.

I wasn't happy with the yukky background and after some solid feedback from colleagues regarding the pelican case a few things changed. Firstly very rough background geometry bashed together to add further depth and exit to image, at this stage I also am playing with different grades and image effects in Photoshop. Modular piece bashed together after work.

I wanted to have some macro shots in the final presentation so commenced playing around with the camera in max to highlight various parts of the gun that I felt could work, also positioning lights to compliment the few curved surfaces on the gun.

Then onto renders, post and presentation of the gun taking some inspiration from my 'Art of District 9' book flown all the way over from New Zealand as Amazon had run out . High Res Here

Terminator.

2011 was a tough year for me, a large unfortunate event happened in my personal life suffering the loss of someone no one will ever replace. My work is my escape, and wanted to try something challenging, something to take my mind away from real life, I generally don't do characters or organic stuff, but wanted something that would push me in all areas, I'm naturally a huge terminator fan, the design of the endoskeleton is so iconic and would throw a lot of challenges my way, throwing me out of my comfort zone.

After these renders I generally needed a break and wanted to do something different, I have an idea of what I'd like to do ( something completely out of context with him ). I received a lot of comments regarding 'where is the rest of him Nath? ). Well he is here, every piston and part rigged mainly for posing purposes, having made him, there are some serious design flaws for general everyday movement :S, but hey, who cares,
FORM OVER FUNCTION RIGHT? Max view port lovelies..

Getting back to VRAY.

I'm a bit of a VRAY whore to be honest, and have a tendency to kick of some renders mid way into a personal project, I'd put together a sl1200 that was suppose to be used in another piece and at the time the main focus of these renders was to get to grips with the camera, DOF, exposure and motion blur settings to see trade of between doing in the app or post.

At the time, the dude (T-800) using this equipment was to be playing with the turntables and naturally being the DJ wearing some cans, I knocked these together with open elements to them, similar the parts of the endoskeleton generally having lots of windows / cavities of detail.

ED 209

Robocop has to be one of my favourite movies of all time, I remember being what, like 10-11 when my friend sneaked this out of his dads room and we secretly watched it in the early hours due to the gore / age restrictions at the time. Not only did this movie educate me into the world of a corrupt future where police and men of power generally live on cocaine and prostitutes, it introduced me to what has to be one of the greatest Mechs cinema had seen up until that time.

Modelled at a time where our company was moving over from Maya to Max, I decided to get my teeth into this to get to grips with Max again having used Maya for four years.

Couldn't resist playing around in photoshop and generally having a stab at getting an old photo look out of one of the photos as so much of the reference I had were black and white photos of the model being made in real life.